Gavin Antony
Founder & Artistic Director
In October 2023, having won a prestigious Enterprise Award from Royal Central School of Speech and Drama, Gavin Antony created Crave Theatre with a vision to create training and performance opportunities for sober actors. Drawing from his unique lived experience of acting and addiction recovery he formulated a concept which he is certain would have been inspirational and beneficial to him on his own journey through early sobriety.
His concept of the company is twofold:
1. To provide professional actor training opportunities for those previously affected by alcoholism or substance abuse who wish to either reconnect to the art of acting or to pursue a career in acting for the first time.
2. To create high quality public productions that challenge existing preconceptions of addicts and, where possible, bring fresh and authentic perspectives on the themes surrounding addiction.
Gavin originally trained as an actor at The Royal Academy of Dramatic Art (RADA), where he received a scholarship to study from 1998 to 2001. After graduating he was making promising progress within the industry however, his growing dependence on alcohol escalated out of control and in 2004 he abandoned his acting career.
By 2015, after 20 years of sustained alcohol abuse, Gavin had become severely ill and was warned that he would only have 6 months left to live if he continued to drink.
His life was saved when he received valuable government funding to spend a 24-week period in a residential rehabilitation centre in West Sussex, which carefully set him on a path to sobriety. This has now lasted nine years and whilst he has continued to rebuild his life, his recovery is still prioritised above all else.
Once in stable recovery for two years, Gavin established a small-scale immersive theatre company, and soon after directed his own addiction-based contemporary adaptation of Hamlet for various fringe festivals throughout 2018. The following year, having resecured an acting agent, he made his West End acting debut in Ian Rickson's production of Ibsen's Rosmersholm at the Duke of York's Theatre, alongside Tom Burke, Hayley Atwell, and Giles Terera.
Alongside his directing and acting work, Gavin also began teaching acting as a freelancer and in 2019 he completed a Post-Graduate Certificate in Performance Teaching at the Guildhall School of Music and Drama. In 2023, he graduated again, this time with a master's degree in Actor Training and Coaching from Central, and currently lectures in acting at several universities and conservatoires nationwide.
Now he has set his sights on combining the two passions of his life for the benefit of others:
"Having rebuilt my own health and life over the past ten years with the help of a huge number of people in so many different fields and sectors, now I really want to give something back which can help other performers who have struggled with drink or drugs at some point in their lives. I truly feel that the insight I've gained through my own journey can be used to assist others who want to re-engage with their passion for acting as I chose to, but improve their experience by providing an simpler and more supportive pathway.
I am committed to building as strong a team of acting, education, and recovery based professionals around me in order to grow the company, and reach as far as possible to achieve our charitable aims. I certainly feel we have done this in the charity's choices of trustees (see below), who are experts in their fields and will keep the charity running in the years to come. Now I want to create a burgeoning and bristling sober community and theatrical company, which is a standard bearer for anyone working in the arts or performance sector or in the field of recovery and mental health. If what you've read about us so far is applicable or of interest I invite you to come and be part of it." - Gavin Antony, 2024
CRAVE's VISION
Chris trained as an actress at The Webber Douglas Academy of Dramatic Art.
She performed for several years in London's West End and in film, notably working with such theatrical luminaries as Sir John Gielgud.
In 1976, she left her acting career in order to seek help for her alcoholism and having found recovery has now been sober for 49 years.
In 1980 she returned to University, gaining a BA in Drama and then undertook training as a dramatherapist.
In 1985 she founded and was the director of the original addiction unit at The Priory Treatment Centre in Roehampton where she stayed for 22 years, overseeing thousands of clients follow their journey into recovery.
She currently sits on the board of trustees for Crossroads Addiction Rehabilitation Centre in Antigua.
Barry trained as a humanistic therapist in 2001, motivated by his own experience of addiction and the interventions which helped him to turn his life around.
He views sustainable recovery as a holistic package of the ‘three thirds’ of the human condition - mind, body and spirit - and has brought this philosophy into his extensive work in addiction-focused settings over the last two decades, primarily in residential treatment, but also in a successful day programme in the south of England.
Barry is currently Senior Practitioner within the clinical services at Sporting Chance Clinic, where, having stepped up from session work to a full-time role when the clinic expanded in 2019, he works with clients on both longer and shorter-term residential treatments.
Before starting his professional acting career, Daniel trained at the Royal Academy of Dramatic Art (RADA).
His work in theatre includes: Much Ado About Nothing and The Hour We Knew Nothing Of Each Other at the National Theatre; The School of Night, The Tamer Tamed, The Taming of the Shrew and Cymbeline for the RSC; Jackets at the Young Vic, London; Troilus and Cressida, Romeo and Juliet and Rosencrantz and Guildenstern Are Dead at Clwyd Theatr Cymru, Wales; The Pull of Negative Gravity at the Traverse Theatre, Edinburgh and 59E59, New York; Memory at ESG, New York; Aqua NeroReview of Acqua Nero from the theatre dance and drama in Wales web site for Sgript Cymru; Romeo and Juliet at the Northcott Theatre, Exeter and Lunch at The King's Head Theatre, London. He also played Malcolm in Shakespeare's Globe's production of Macbeth.
Daniel is an associate artist for Clwyd Theatr Cymru.
Jessica is Course Leader for the MA/MFA in Actor Training and Coaching at Royal Central School of Speech and Drama.
Her recent publications have highlighted the urgent need for critically conscious actor-training, one that maximises the agency and uniqueness of each actor to shape their own work, identity and careers. Her PhD research questioned the ethics and tact-filled practices that are used when working with adolescent students in circus.
Her areas of expertise include freedom and coercion in Pedagogy, consent and boundaries in Actor Training, dignity and compassion in teaching, risk, vulnerability, wellbeing, phenomenology and neuroinclusivity.
In 2019 she delivered the Keynote address at AusAct Queensland University of Technology: ‘Vulnerability in a Crisis: Pedagogy, critical reflection and positionality in Actor Training ‘.
She is a Senior Fellow of the HEA.
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